Shygirl: “I grew up having the words to escape” – Music News

Shygirl joins Matt Wilkinson on Apple Music 1 today to discuss his recent single “Cleo”. During the interview, she tells Matt about the songwriting process, shares plans for some new music in the works, including a collaboration with Sega and Karma Kid, reveals that she would like to work with Eartheater, and Moreover.

Shygirl talks to Apple Music about her new single ‘Cleo’ …

‘Cleo just came over to me at the time. Often times I describe it as being like a conduit. I think of those times when I can be so relaxed and let the lyrics flow through me, and it comes from a place of experience, and it’s all about the emotion. Also, I don’t know. I never really approach music, I guess, like an average songwriter because I didn’t grow up writing for songs or studying music or anything. I grew up having the words to escape, and I used to just write in my notes, and I didn’t really have room for them. So I always thought of myself more as a private poet or something. Calling yourself a poet is such a squeaky thing sometimes, so you think to yourself, it’s something that I was never going, ever going to show anyone … Speech is not really my vibe. So I was so happy when I found a way to make music with my own voice. My voice extends beyond the tone of it. These are the words I choose to express myself.

Shygirl talks to Apple Music about a new song she’s working on with Sega and Karma Kid…

Matt Wilkinson: So what’s the favorite thing you’ve written so far?

Shygirl: It’s actually something new that I wrote the other day with Sega and Karma Kid where you have a moment where you’re like, okay, I actually got better. And there is something … I’m still so nerdy. I still believe in those times when I say to myself “Ah, I have surpassed myself.” And that’s what you want with everything. I don’t want to feel like I’m stagnating or feeling comfortable. I want to feel like I’m surpassing myself and surpassing myself, I really like ‘Cleo’ for its almost simplicity. We get straight to the point in the emotion of the song.

Shygirl talks to Apple Music about new music on the way …

There is a lot of new music. I’m just going back and forth right now and fine-tuning things. And the performances are really helpful in sort of keeping the reality of the way I want to present it. Like when I make music, I think to myself, can I see myself on stage presenting this to everyone? And having things like Pitchfork is really helpful because it’s not conceptual, it’s actually a reality. I can really see how I feel. There is no better feeling when I sing ‘TASTY’ and all, I like to feel like the queen of clubs, singing stuff, as well as getting really cranky with stuff like ‘SLIME’ and all that. . I want to keep all of this in balance. And I think you’re going to have it in new music next year.

Shygirl tells Apple Music that she wants to collaborate with Eartheater …

I was hanging out with Eartheater last night, actually. We’ve been talking for ages and have finally met. And he’s someone that intrigues me so much, and I think we could do something really interesting and unexpected together. So I really hope that we can actually fix some time.

Shygirl talks to Apple Music about playing Pitchfork Paris…

It was really surreal. In fact, it happened so quickly. It’s one of those things I’ve been looking forward to for ages, and then I feel like it’s done in two seconds. I brought a string quartet with me, and I had Cosha singing the backing vocals and everything, so I never really shared the stage before like that. Installed, I’m generally like a DJ…. So it was really not nice to have this kind of new element. I do not know. I think having strings obviously isn’t something that people expect all the time with music, but with the new single I just really wanted to have that new element.

Shygirl tells Apple Music that playing isn’t what attracted her to music …

For me, I’m always looking for intensity, so everything I do is intense because I feel like I’m always pushing myself, or pushing the music and everything. But the performance seems to be the natural conclusion of everything I’ve done. That’s not necessarily what attracted me to music, to acting. I wouldn’t say I’ve always dreamed of being on stage, but it’s just when you spend so much time developing those kinds of elements of my own character in songs. Who else is better equipped than me to present them? So it’s really nice to kind of be in front of an audience and be vulnerable again, because that’s what it is. Once on stage, you are judged in real time.


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